Finding the best lens for Canon T7 can be overwhelming considering the amount of lenses available on the market. In fact, Canon is the camera manufacturer with the most lenses than any competitor (and the best too).
Whether you’ve had the Canon T7 DSLR for a while, or you’re just now looking into upgrading your current lens, the best Canon T7 lenses will make taking amazing pictures and videos relatively easy.
Best Canon T7 Lenses Summary
- Best All-Around Lens: Canon EF-S 18-55mm g/3.5-5.6 IS II
- Best for Landscape Photography: Canon EF 16-35mm f/3.5-5.6 IS II
- Best for Videos: Canon EF 24-70mm f/2.8L II
- Best for Portraits: Canon EF 50mm f/1.4
- Best for Wedding Photography: Canon EF 70-200mm f/2.8L IS III
Canon T7 Lens Buying Guide
High-quality glass allows you to make the most of your camera, transforming images from drab to beautiful and offering the tools to take great pictures in any situation.
However, the wide variety of Canon T7 lenses on the market makes it often overwhelming to find the best picks, and the many different possibilities of your camera can increase the difficulty of finding the best glass for any particular purpose.
Lenses can often be a big investment, considering the quality of material and manufacture that goes into making a good lens, so purchasing one that proved to be a disappointment can be financially devastating. This list offers a suggestion for great Canon T7 lenses across five major categories of usage, so that you can be confident that you’re buying a lens that will serve you well.
5 Best Lenses for Canon T7 Review
Best All-Around Lens
Whether you have only one lens or many, it’s important to have something you can stick on your camera for any situation.
In terms of versatility, quality, and value, the Canon EF-S 18-55mm g/3.5-5.6 IS II is difficult to beat as a one size fits all purchase.
Although the range of the zoom doesn’t offer any true telephoto capabilities, it’s more than capable of providing everything from wide angle to portrait focal length on the T7’s APS-C frame.
Optical image stabilization built into the lens, which you can turn on or off with a switch, provides versatility for shots in movement or without a tripod.
Autofocus and manual focus are also controlled with the flip of a switch, and the simple but reliable gear-driven focus adjustment system should let you use either without a hitch.
The aperture on the Canon EF-S 18-55mm ranges from f/3.5 to f/5.6, which won’t offer you any crazy bokeh or shallow depth of field, but should prove fully sufficient for most photo opportunities. Solid sharpness and image consistency produce an expectedly reliable image, no matter the circumstances.
Ultimately, this isn’t a lens that is necessarily the very best at anything, but it’s good at everything, making it an easy choice for any kit of Canon T7 lenses.
Best Lens for Landscape Photography
Beautiful landscape photos are ultimately in a category of their own, and it can be difficult to get truly striking images when you’re not using a lens perfectly suited for the job.
For landscape photography, a wide-angle focal length and excellent sharpness are going to become the highest priorities. The Canon EF 16-35mm f/3.5-5.6 IS II delivers roundly in both of these categories.
It’s a notably sturdy zoom lens, which is good to have when you’re looking to shoot in different environments and weather conditions for truly interesting landscape photos, and boasts both dust and water resistance when equipped with a proper protection filter.
Like the 18-55mm, optical image stabilization is also included, and a switch for autofocus and manual focus. This lens actually utilizes a ring-type ultrasonic motor (USM) which allows for fast focusing that’s essentially silent.
An aperture of f/4 doesn’t allow for super shallow depth of field, but that won’t usually be a concern with landscape shots, and the sharpness that the lens offers more than makes up for it.
The corners stay particularly sharp here, an improvement over a Canon lens with a wider aperture at the same focal length range. Corners also don’t exhibit vignetting, so color and brightness will be consistent across the image. Keeping with the level of consistency on display here, barrel distortion, a common issue with wide zooms, is kept to a minimum.
Simply put, the EF 16-35mm is one of the most reliable lenses you could ask for, and perfectly oriented towards landscape photography.
Best Lens for Video
Hitting a sweet spot for a video, the Canon EF 24-70mm f/2.8L II allows a great range of focal lengths for videography purposes.
A close focusing distance of around a foot allows you to get up close and personal with subjects on the fly, but you can also pull out for reasonably wide shoots or get good footage of something in the distance.
This is another ring type ultrasonic motor, and the quietness of the focus system is more relevant for video than for any other purpose, allowing focus to change while recording without damaging the audio of a shot.
The ability to fully control the manual focus is also important for video, letting you perform smooth focus pulls when following or changing the subject of a shot.
Dust sealing and water resistance offer similarly versatile durability as for landscape photography, which can help immensely for nature videography or equally demanding tasks.
If you’re specifically looking to shoot films, it’s also worth looking into Canon cine lenses, but they won’t prove as versatile for general videography.
They’re incredible primes, but the size, price, and lack of zoom function offer less function for other types of video.
The EF 24-70mm is great for any use, including still photography, but will truly shine with any kind of video work.
Best Lens for Portraits
Portrait photography is all about making the subject look as good or as striking as possible, and the right lens will prove a significant help in this sometimes-challenging task.
Thanks to the APS-C frame of the Canon T7, a 50mm lens will serve as a nice portrait length, and the Canon EF 50mm f/1.4 is the perfect package.
A maximum aperture of f/1.4 fully opens up the world of beautiful bokeh for the background of your portraits, helping to create beautiful images and set your subject apart from the background.
The focal length will prove flattering to subjects. This is another lens with an ultrasonic motor and a switch for autofocus and manual focus.
One potential drawback is the lack of optical image stabilization here, which is present on all the zoom lenses on this list. However, it shouldn’t prove a challenge for portrait photography. Even if you’re not using a tripod, movement shouldn’t be enough of an issue to result in blurry or unstable photos.
If you really want the shallowest depth of field possible, Canon also makes a significantly more costly 50mm with an f/1.2 aperture, but the value and versatility offered by the 50mm f/1.4 makes it the most recommended choice for a Canon T7 portrait lens.
The bokeh here will still be beautiful, and the sharpness is respectable even wide open, so you won’t be making any major sacrifices in that regard. A 60mm offering also proves a solid option and might be the preferred focal length for some, but a step down in aperture to a maximum of f/2.8 makes it more difficult to recommend.
Among these Canon T7 lenses for portraits, the 50mm f/1.4 will most often be your best bet.
Best Lens for Wedding Photography
Weddings are important events, and they’re ultimately going to require some fairly serious glass.
The Canon EF 70-200mm f/2.8L IS III lens offers superior image quality and a wide range of telephoto zoom, allowing you to get all the beautiful details of a wedding without intruding on any moments.
When combined with the telephoto nature, the f/2.8 aperture can offer some beautifully shallow depth of field to give a soft look to the moment while maintaining a completely sharp image.
The autofocusing system here pulls out all the stops, combining a ring-type ultrasonic motor with a fast CPU and advanced autofocus algorithms, keeping you from missing the moment with imprecise focus. Optical image stabilization is back in this lens, and all the more helpful with the longer focal lengths.
The older II version of this lens is also excellent, if you can find a good deal on it. There’s also a Canon lens with the same focal length and design but a f/4 aperture. That’s recommended on a tighter budget, but it won’t provide the same level of bokeh that you might find quite helpful and attractive in wedding images.
You can also consider the EF 24-70mm mentioned earlier on this list for weddings if you need the versatility of wider shots, but if it’s the only lens in your kit, you won’t be able to get the same degree of close-ups without being intrusive. Nonetheless, any of these best Canon T7 lenses should provide, at minimum, reliable quality for any wedding.
No matter what your purpose in photography or videography is, all of the lenses for Canon Rebel T7 on this list offer excellent quality and reliability.
It’s worth noting that a number of these focal lengths and apertures have similar offerings from other brands that may be more affordable, but each of the Canon options on the list has been highly praised for consistency of usage and image quality.
Ultimately, you could use any of these for any number of purposes and get great results, but applying them to the scenarios that fit them best will allow the lenses to fully shine.
With some good glass at the front, you can do awesome work on the Canon T7. So what are you waiting for? Get a great lens or two, and take some excellent photos.